Once we understand the codes in the great masterpieces preserved in the churches, abbeys and cathedrals, then it becomes clear that these symbols are a series of still-life tableaus forming a narrative about the alchemical process of the transformation of metals, with ourselves as the crude lead.
Each metal is assigned a god or goddess to encapsulate their qualities, and we can see these characteristics writ large in the classical Greek dramas featuring the gods and goddesses of Mount Olympus.
When people criticise President Trump over wanting to build a wall on the southern border of the United States, and the Democrats insist that it’s immoral not to have open borders, they may not realise that they are mouthpieces for an evil Death Cult that, for all its insistence on environmentalism to prevent climate change, is flying in the face of Nature and how She builds life.
If Mother Nature believed in open borders, there would be no Universe. She uses the Vesica Piscis to organise Her Work; some call it “the womb of life” because from all the walls and borders that are produced from it, the shapes of the creation are built to produce the Flower of Life and the Fruit of Life, that flow between the realms of spirit and the realms of materiality. Its mathematical dimensions make it transcendent in nature because its shape spirals out into infinity in ever-increasing circles, and it also spirals in, into infinity, in ever-decreasing circles.
That’s why sacred buildings from time immemorial, such as Glastonbury Abbey, have strong parameters of stone-and-mortar that were constructed according to the designs of those who understood those laws, and they also engineered a huge wall around this temple and its precincts, made of local Blue Lias stone, to protect “the holiest earthe in England.”
In putting together my chapter on the symbolic meaning of numbers in ancient myths for the new book, I was going to include this in the section on the number 17, but then changed my mind as I want Stories in the Stars to have a sort of timeless quality and not be pinned to current events. So I decided to share it with you here instead, because if you are one of my readers, you will likely have a more zoomed-out view of the psychological warfare currently being conducted against us by the Deep State and have noticed their use of the number 17 as a signal to each other that certain staged events – like false flag attacks which are often carried out on the 17th of the month – have been orchestrated to socially engineer the thinking of the masses.
My book, The Grail Mysteries, features the Vesica Piscis in a faery tale for adults about shamanic sex rites and Sovereignty achieved through the Marriage of the Sun and the Moon. So I thought it might be useful to delve down deeper into this symbol to show its metaphorical meaning.
The universe communicates with itself through pictures – colourful symbols and metaphors. Perhaps that’s why we find, as shamans, that symbols and metaphors are the main way in which the spirits talk to us, and we also use symbols and metaphors to talk to them. A picture speaks a thousand words, as they say, and it utters those words through the vibrational resonance of its sacred geometrical dimensions and colour and sound frequencies. Continue reading
We’ve been having a bit of discussion about whether Glastonbury is meant to be the location for the New Jerusalem. Most of those who think it should be might benefit from reading this article and gaining another perpective on the issue.
So let’s start from the beginning …. Continue reading
Chris Hardaker (author of The First American) is discussing his new e-book, Washington DeCoded: A New View of the Capitol, with members of our forum. His book is about the Freemasonic geometric features mimicking symbols from the Great Seal which are embedded into the streets and avenues of Washington, D.C.