I’ve just been watching the birds on the feeders in my garden. I have two bird feeders and there are also two nests in my garden – one of robins and the other of house sparrows. And what I realised today, for the first time, is that the robins all like to eat on one bird feeder and the house sparrows on the other. There is no mixing. It’s not that the robins hate the sparrows, or that the sparrows think they are superior to the robins. It’s just a matter of what works best for all of them– and what has always worked best.
We also have flocks of starlings around here that make extraordinary patterns in the skies when they all meet together in the evening, to return home to roost overnight on the reeds of the marshes. It’s called a murmuration of starlings. There are also lots of ravens, crows, wood pigeons, cranes, hawks and owls – but you never see any of those birds flying with the starlings and messing up the patterns of their murmurations.
In other words, the birds like to hang with their own kind, and no amount of calling them racist or talking about diversity will make the slightest bit of difference to how they behave. It doesn’t occur to them to do other than will serve the highest good of their kind, for their sake of their own survival.
It is important to understand about the wisdom and knowledge of our earliest ancestors to avoid falling foul of all sorts of misunderstandings about space aliens building the Pyramids and such like. No, our prehistoric forefathers were more than capable of great engineering feats because they had an inner wisdom that grew out of their perception of their holographic interconnectness with the universe – a perception that has been lost to most of us today.
As the Fire-Worshippers of the Southern Bu-Kongo said: “Man’s environment is the world as a whole, and the latter’s environment is our solar system. Man is part of the stars — and the stars, sun and moon are all part of man.”
This perception of the holographic interconnectedness of man was once widespread upon the Earth and it was told about in their stories – which we today call myths. The importance of this interconnectedness was given great value by our ancestors, much more than we are taught to value so-called folk tales today, because they totally understood how the right narrative, told correctly, moulds the individual into helping him find himself and his place in the cosmos.
This wonderful poem by Amara Bronwyn MacEachern Hollow Bones sums up, in a nutshell, everything about the specialised shamanic path that I write and teach about.
We locked up our wisdom into our bones
And swallowed the keys
They sank in our rivers of blood
And we forgot the maps
Because we had to forget the mysteries
To keep them safe.
We wove our hair into brooms
And swept over our paths
And then burned the earth with our rage
We didn’t teach our children
It was the only way to protect them,
But in them we planted seeds, seeds and keys
And told them stories and riddles and songs
With no roots, just tangled threads
That would take years to unwind
Just enough time
For the rains to fall again
and put out the fires
For the dams to break
For the rivers to flood
For the paths
to be walked again
For the soil to breathe
And as the old bones crumble
Deep beneath the rubble
We find we’ve always had the keys
Our stories and our maps
Our paths are revealed to some
And the seeds grow again
The threads are unspun
And woven again.
In the last article, Lesson 3, Forging our own faery sword of truth, we discussed the metaphorical meaning of the Three of Swords, and I used an example from the Fey Tarot in which a male faery is rising from the sea with the dawn breaking just behind him.
Dawn is a major character in my books where she plays the same role as she does in the Tarot, which is to denote the promise or covenant of rebirth after ‘death’ – whether it’s just the end of a cycle in our lives or the final initiation in which we leave this dimension forever. For this reason, the character of Death in most good decks has a red, pink or apricot sunrise behind him. Continue reading
Sometimes people use old myths about faeries, dwarves and wizards to build a cosy, walled cognitive space – in the same way that as children we used to construct camps from blankets and bedspreads in which to hide from the realities of the adult world.
However, the ancient myths were not meant for that purpose, and neither are my books, because these deeply rich allegorical tales contain wisdom keys that provide us with ways of meeting the seeming impossibly difficult challenges of the human condition. These challenges don’t change from generation to generation. The problems that we’re faced with today were also faced by our ancestors thousands of years ago. From the minute we give out that first scream at birth, we’re in a life-and-death struggle between good and evil, whether we realise it or not – and often our adversaries prefer us not to realise it, as they soften us up for the killing blow.
That’s why I chose the archetypal symbol of the sword to begin this series of lessons that make up these mystery teachings, which are based on the stories in my own books and particularly The Grail Mysteries. The last article, Lesson 2, was about the faery woman who raises the sword from beneath the frozen Hart Lake under the stars of Capricorn, and I’ve shown various ways of getting in touch with the faery gold buried within our own frozen emotional pain and forging it into our own Fragarach, the Sword of Truth. Continue reading
If you have followed my guidance in Lesson 1, you will hopefully have begun the process of diving down deep into the frozen lake of your emotions and using the heat of concentration – through visualisation or shamanic journeying – in the alchemic crucible of your own inner space to release them and bring them to the surface in the form of a faery sword.
In this article, Lesson 2, I will be referencing the image in my book The Grail Mysteries where a woman’s sword arm appears from beneath the white, frozen Hart Lake under the stars of Capricorn at the Winter Solstice.
This article forms the beginning of a shamanic quest for my readers to help them understand and work with the imagery contained within my books that are based on Celtic magic. So if you’ve just stumbled into this Mystery Teachings class, you may want to go to the Introduction first, and then follow the links from there.
Before we start the shamanic or magical work for healing the Wounded Queens with the Thirteen Treasures of Britain, we need to get in touch with what needs healing within us because our power will come from what originally disempowered us. Continue reading