The recent revelations from the Clinton camp’s emails about “Spirit Cooking” rituals will be coming as a huge shock to many Americans. Added to that, reports of the Clintons visiting Jeffrey Epstein’s paedophile island on his “Lolita Express” private plane are all adding fuel to this bonfire of the vanities.
We in the UK have already gone through such trauma when, soon after the death of the BBC disc jockey Jimmy Savile, a horrifyingly dark picture began to emerge about the extent of paedophilia and Satanic ritual murder of children being almost openly practised in certain parts of society here, and how the intelligence services routinely film such activities to use for blackmail. And so I’m fully cognisant of the trauma that this apocalypse of information sparks. I’ve been through it myself. But I think it’s now time to get it all out on the table, so we can start to deal with it.
Now that the American public is going to be hearing about Spirit Cooking orgies, they might be more readily able to understand what a huge and real Spirit Cooking mass ritual took place on September 11th 2001 at the World Trade Centre, in New York.
All the information is laid out in an excellent book* by Kurt Bain, which although it was published towards the end of 2012, has had very little publicity. After extensive research, Bain came to the conclusion that the events of 9/11 were a Black Mass along the lines of a ritual described by the early 20th century magician, Aleister Crowley.
Perhaps it is no surprise to find Crowley’s ghostly fingers reaching from beyond his grave to play a part in what must have been the biggest psy-ops event of the millennium. As the self-declared avatar or messiah of his invented “new Age of Horus”, he was at the centre of so many events of the 20th century, including the Space Race and the birth of the New Age movement.
In fact, this whole piece of Theatre of the Macabre seemed to be a tribute to Crowley, and when you look at the synchronicities – the numbers and the symbols used that day – there can be little doubt that whoever organised this event was cognisant with Crowley’s work, and must have had it planned for a long time.
For a start, Bain notes that this mass black ritual was based on numbers and symbols that would be recognisable to any Thelemite worth the name, worldwide. (Thelemites are the devotees of Crowley) …
“…the picture that emerges is that of 9/11 as an ultra-powerful occult programming – a psychological warfare tool of enormous proportions – infused with techno-sorcery and deep level occult programming. 9/11 as a Mega Ritual, and the painstakingly reconstructed occult script for the event contained herein convincingly shows this.”
There’s a lot to this theory; so I thought I’d give a flavour of the book here by showing just a few of the Crowleyesque synchronicities that Bain discovered.
Theatre of the Macabre
However, I should first quickly point out that this blog won’t be about what’s intrinsically true of magic; it’s about what Crowley and his fellow contemporaries in those secret societies (the Golden Dawn, the Astral Argentum – aka, the Kabbalists) believed to be true of magical operations. In actuality, these people barely made it any further than the astral planes, and even then only with the help of ether or other drugs. These days, they have no real powers – apart from the power to shock and terrorise. This is known as Theatre of the Macabre.
In other words, the use of occult symbols and numbers during the Spirit Cooking of 9/11 was more about theatre and performance than about having the ability to effect any change in this world through magic. They are just very sick, sexually perverted people who get their rocks off by imagining that they are in contact with certain gods – usually called Lucifer or sometimes Molloch.
So the 9/11 Theatre of the Macabre ritual by a death cult, which was beamed worldwide into our living rooms, was more about what seemed to be than about what actually was. But this still can give a very potent kick in the stomach to the psyches of those watching on the rolling loop of television coverage, because of the numbers and symbols that were used which our subconscious mind might recognise.
First off, the most obvious symbol in this ritual were the Twin Towers themselves, resembling the Pillars of Hermes, the Jachin and Boaz of the Temple of Solomon.
And then we have the struck Tower of the Tarot, with flames bursting from it.
But first of all, we need to take a bit of detour into understanding how numbers were regarded by the Kabbalists.
Here is Madame Helena Blavatsky (1831 to 1891) from her Isis Unveiled.
“Numbers are key to to ancient views of cosmogony – in its broad sense, spiritually as well as physically considered and to the evolution of the present human race; all systems of religious mysticism are based on numerals. The sacredness of numbers begins with the Great First Cause, the One, and ends only with the naught or zero – symbol of the infinite and boundless universe.”
And Carl Gustav Jung in Man and His Symbols:
“Numbers are not concepts consciously invented by men for the purposes of calculation. They are spontaneous and autonomous products of the unconscious.”
With none of that will I disagree, but I do not agree with the Kabbalists on their meanings for certain numbers. However, it doesn’t matter here what I think… only what they think, which is what this article is all about. If you can get into the minds of these evil-minded, psychopathic sadists, a lot of what’s happened over the past 50 years starts to make some kind of sense.
The number 11
So … the Kabbalists regarded the number 11 as evil – “all that is sinful, harmful and imperfect,” according to William Wynn Westcott, the co-founder of the Golden Dawn.
To Crowley, the number 11 was “the number of magic itself…[and] therefore suitable to all types of operation,” as well as “the sacred number par excellence of the new Aeon,” [the Aeon of Horus, of which Crowley believed he was the avatar and messiah].
The 11 was also mirrored in the twin tower Pillars of Hermes. Hermes is the Greek god associated with boundaries between worlds, like the boundary between the realms of the living and the realms of the dead, otherwise known as the underworld. Hermes is also regarded as a psychopomp – in other words, he guides the dead into the underworld, like the Egyptian Anubis. Hermes is also the Roman god, Mercury, which this merchant Death Cult revered.
As Kurt Bain says:
“The Twin Towers and the space between represented a gateway and their destruction signified the rending of the barrier between worlds, the symbolic tearing of the Veil of Isis – creating a portal, unveiling the Holy of Holies. The idea of the Twin Towers as gateway further links to the Zodiacal sign of Gemini, the Twins, and its position [within the saltire cross] as a celestial gateway….”
And then of course, we have the struck, flaming Tower of the Tarot, the sign that a whole world is being destroyed. Perhaps the world that was destroyed that day was the one we used to live in before the War on Terror and its attendant mind programming was inflicted upon us. It certainly felt very different to how this one does now.
The occult gateway between the worlds
The next piece of this jigsaw is to be found in Crowley’s Liber 175 (which is the number of the second plane which hit the South Tower) in which we find the description and explanation for what is to follow that day, September 11th, 2001.
Of Liber 175, Crowley writes:
“This is the book of Uniting [Oneself] to a particular Deity by devotion. Concerning the ceremonies…prepare a powerful Invocation of a particular Deity… let it be known that this method is adaptable to the necessities of all …let him take anything whatsoever and consecrate it … let him consecrate each thing that he useth to the service of that particular Deity.”
And so we have this occult gateway between the worlds of the living and the dead, also signifying the world of magic, positioned as the grand ceremonial altar upon which Liber 175, a black mass, would involve the sacrifice of thousands of humans – in other words, a mass Spirit Cooking of innocents being incinerated and pulverised in offertory and consecration to their non-existent deity.
The flight numbers
The flight numbers of the two planes which hit the grand ceremonial altar of the Pillars of Hermes were AA 11 and AA 175. The AA of American Airlines also stood for Astrum Argentum, the name of the occult society which Crowley set up after he was kicked out of the Golden Dawn.
The flight number of the plane that was supposed to have hit the Pentagon was AA77… the number seven needing no further explanation here. Neither does the five-sided Pentagon representing Earthly power and wealth in the Tarot. But what I didn’t know, and which Bain explains, is that the Pentagon building sits on the 77th Meridian West and is 77 feet tall. Not only that, but the groundbreaking ceremony for the Pentagon was held exactly 60 years to the day before 9/11.
The number 77 is also a Masonic signal, the number of the Revenge of Lamech, ancestor of Hiram Abiff, the Master Mason of Solomon’s Temple.
If there’s anyone reading this that is still wondering whether it’s all coincidence, then hear this …
The number of the fourth plane, the one that was brought down over Shanksville, was 93 – which Kurt Bain describes as ‘an airmail greeting to Thelemites worldwide’. He says:
“The central philosophical concepts of Thelema are encapsulated by two phrases from Crowley’s Liber AL: “Do what thou wilt shall be the whole of the Law” and “Love is the law, love under will.” The two key terms in these sentences are “Will” and “Love”; in Greek, Thelema and Agape. Employing isopsephy, which is the Greek practice of assigning a numerical value to letters of a word and then adding them to obtain their sum (similar to gematria), the value of both words equals 93.
“It is common for Thelemites to greet each other with “93” in person as well as in the opening and closing of written correspondence. This custom derives from Crowley’s instruction that Thelemites should greet each other with the Law of Thelema by saying: “Do what thou wilt shall be the whole of the law.” Since saying the entire Law can be cumbersome, using 93 has become a kind of shorthand.”
Crowley writes in The Confessions of Aleister Crowley:
“The matter is of extreme importance; because Aiwas in dictating The Book of the Law [which introduces the new Aeon of Horus, of which Crowley sees himself as messiah] repeatedly makes use of correspondences in Greek, such as Thelema, Will, 93 – Agape, Love, 93… his own name spelt in Hebrew has the value of 93….. 93 is also the number of the Secret Word of the Neophyte of the Astral Argentum, a word indicating symbolically the whole course of existence.”
Manhattan – a massive ceremonial ground
But the Pillars of the Hermes, the struck Tower of the Tarot, and the flight numbers being of great magical significance is just the start. Kurt Bain finds so many more synchronicities … for instance, he manages to unearth two people who played a significant part in the day’s events with the surname of Crowley, and a dog called Sirius (the Dog Star) …
Sirius rises in the dark, liquid sky
On summer nights, star of stars,
Orion’s Dog they call it, brightest
Of all, but an evil portent, bringing heat
And fevers to suffering humanity.
Homer, The Iliad.
And this is all before we get to Building 7, behind the Pillars of Boaz and Jachin (the Twin Towers of the World Trade Center), also known as Salomon’s Temple after the Salomon Brothers that had owned it. In terms of where they were positioned, the Twin Towers could almost have been the pillars for this Salomon’s Temple. As Bain quips:
“Solomon’s Temple and Freemasonry go together like terrorists and hi-jacked planes.”
Kurt Bain goes on to describe how Manhattan itself as a massive ceremonial ground complex with super-sized sacrificial altars, and he goes into some detail about this. For instance, the World Financial Center, lying directly adjacent to the World Trade Centre on the west side, comprises of an unfinished pyramid, a stepped pyramid, a square pyramid and a dome.
The author Cort Lindahl (whether he subscribes to Bain’s theory, I don’t know) has shown that there are azimuthal lines linking significant government buildings to those in Manhattan.
But where were the remains of the thousands of human victims taken afterwards … the limbs and other body parts that had been so pulverised that they were unrecognisable as belonging to any identifiable person? The name of their final resting place is called Fresh Kills Landfill on Staten Island.
I rest my case.
*The above article was developed from The Most Dangerous Book in the World by Kurt Bain.