In putting together my chapter on the symbolic meaning of numbers in ancient myths for the new book, I was going to include this in the section on the number 17, but then changed my mind as I want Stories in the Stars to have a sort of timeless quality and not be pinned to current events. So I decided to share it with you here instead, because if you are one of my readers, you will likely have a more zoomed-out view of the psychological warfare currently being conducted against us by the Deep State and have noticed their use of the number 17 as a signal to each other that certain staged events – like false flag attacks which are often carried out on the 17th of the month – have been orchestrated to socially engineer the thinking of the masses.
My new book, Stories in the Stars will be published and available on Amazon by about 21st August. For the first two weeks, it will only cost around £10.00 ($14.00), so that the people on my mailing list, who I’ll email to let know as soon as they can buy it, will be able to get it cheaper. If you’d like your email address to be added to that mailing list, please do send me a message here. After that, the cost will go up to around £14.00 ($18.00).
In my experience, the Saturn Return is one of the most important features in the path of the zodiac hero, because metaphorically-speaking, Saturn is the planetary governor that represents the father who has to be redeemed by the son (Jupiter) in the Underworld, and the redemption of the ancestral line is a major part of the work for any initiate or shaman.
The character of Pinocchio steps straight out of the Italian travelling marionette theatre which developed from of an older tradition called the Commedia dell’Arte that featured the likes of the battling Harlequin and Pulcinella who were earlier prototypes for Punch and Judy. The Commedia dell’Arte had its roots in Roman and Greek “new comedy” that was, in itself, an evolution of the Mystery Plays of the medieval period. So we do not have to dig down too deeply to find the mythological blueprint underneath, and it is choc-full of magical clues and golden keys that will unlock many doors and build new pathways, bridges and crossings in the mind of the budding initiate.
It is important to understand about the wisdom and knowledge of our earliest ancestors to avoid falling foul of all sorts of misunderstandings about space aliens building the Pyramids and such like. No, our prehistoric forefathers were more than capable of great engineering feats because they had an inner wisdom that grew out of their perception of their holographic interconnectness with the universe – a perception that has been lost to most of us today.
As the Fire-Worshippers of the Southern Bu-Kongo said: “Man’s environment is the world as a whole, and the latter’s environment is our solar system. Man is part of the stars — and the stars, sun and moon are all part of man.”
This perception of the holographic interconnectedness of man was once widespread upon the Earth and it was told about in their stories – which we today call myths. The importance of this interconnectedness was given great value by our ancestors, much more than we are taught to value so-called folk tales today, because they totally understood how the right narrative, told correctly, moulds the individual into helping him find himself and his place in the cosmos.
As a shaman, I work alongside the spirits that govern the land of our ancestors; they are the spirits of Sovereignty that, on the energetic level, is a huge force that gushes forth from the Rivers of Blood or the DNA of the ancestors that are buried in the land. It reaches the emotional intelligence of the people through the portals of these spiritual conduits, an Elder race whose role it is to guide the spiritual evolution of human beings. They are known in the British Isles as the Fae, the Gentry, the Sidhe or the Faeries. Other cultures have their own names for these spirits that appear to inhabit the betwixt and between – like the aesir of the Norse and the devas of the Vedics.
This wonderful poem by Amara Bronwyn MacEachern Hollow Bones sums up, in a nutshell, everything about the specialised shamanic path that I write and teach about.
We locked up our wisdom into our bones
And swallowed the keys
They sank in our rivers of blood
And we forgot the maps
Because we had to forget the mysteries
To keep them safe.
We wove our hair into brooms
And swept over our paths
And then burned the earth with our rage
We didn’t teach our children
It was the only way to protect them,
But in them we planted seeds, seeds and keys
And told them stories and riddles and songs
With no roots, just tangled threads
That would take years to unwind
Just enough time
For the rains to fall again
and put out the fires
For the dams to break
For the rivers to flood
For the paths
to be walked again
For the soil to breathe
And as the old bones crumble
Deep beneath the rubble
We find we’ve always had the keys
Our stories and our maps
Our paths are revealed to some
And the seeds grow again
The threads are unspun
And woven again.
When I do Tarot readings, I say to the person I’m reading for: “You have the opportunity now to ask a question of God or the Higher Power, whatever that means to you – man, woman or unspecified something,” and they usually reply, “Well, I believe in something, but I’m not sure what.”
I’ve come to realise that that the “something, but not sure what,” seems to be the cognitive landmark that many have now reached since seeing through the false narratives of religions that were only ever designed to control us, not to spiritually empower us. It was a story that gave us a foothold on the path when we were but children in our spiritual progress but, now that we’re growing up, we realise that God is probably not an old man in the sky like this version by Michelangelo on the ceiling of the Sistine Chapel in Rome, who sends fire and brimstone in our direction whenever we displease him.
The Winter Solstice will fall just before dawn breaks over the British Isles after the longest night of the year on Thursday 21st December. To me, this is such a beautiful time when there are unique energies at play that heal the emotional despair and suffering accrued during the previous thirteen moons, and send rejuvenation and fresh hope and inspiration for the coming turn of the calendrical wheel. Continue reading
The recent discovery about Stonehenge being used as the setting for a fertility cult with the standing stones casting phallic shadows at certain times of the year is causing a bit of a stir among dusty old academics. However, it will come as no surprise to my readers and particularly those who’ve read my book Reclaiming Sovereignty which goes into much detail about the sacred shamanic sex rites of our earliest ancestors that were fired up by the spirits of the land and how they were used, thousands of years ago, for the purposes of Sovereignty – to make kings.
Sometimes people use old myths about faeries, dwarves and wizards to build a cosy, walled cognitive space – in the same way that as children we used to construct camps from blankets and bedspreads in which to hide from the realities of the adult world.
However, the ancient myths were not meant for that purpose, and neither are my books, because these deeply rich allegorical tales contain wisdom keys that provide us with ways of meeting the seeming impossibly difficult challenges of the human condition. These challenges don’t change from generation to generation. The problems that we’re faced with today were also faced by our ancestors thousands of years ago. From the minute we give out that first scream at birth, we’re in a life-and-death struggle between good and evil, whether we realise it or not – and often our adversaries prefer us not to realise it, as they soften us up for the killing blow.
That’s why I chose the archetypal symbol of the sword to begin this series of lessons that make up these mystery teachings, which are based on the stories in my own books and particularly The Grail Mysteries. The last article, Lesson 2, was about the faery woman who raises the sword from beneath the frozen Hart Lake under the stars of Capricorn, and I’ve shown various ways of getting in touch with the faery gold buried within our own frozen emotional pain and forging it into our own Fragarach, the Sword of Truth. Continue reading
If you have followed my guidance in Lesson 1, you will hopefully have begun the process of diving down deep into the frozen lake of your emotions and using the heat of concentration – through visualisation or shamanic journeying – in the alchemic crucible of your own inner space to release them and bring them to the surface in the form of a faery sword.
In this article, Lesson 2, I will be referencing the image in my book The Grail Mysteries where a woman’s sword arm appears from beneath the white, frozen Hart Lake under the stars of Capricorn at the Winter Solstice.
This article forms the beginning of a shamanic quest for my readers to help them understand and work with the imagery contained within my books that are based on Celtic magic. So if you’ve just stumbled into this Mystery Teachings class, you may want to go to the Introduction first, and then follow the links from there.
Before we start the shamanic or magical work for healing the Wounded Queens with the Thirteen Treasures of Britain, we need to get in touch with what needs healing within us because our power will come from what originally disempowered us. Continue reading
Classic Grail literature, scribed by the Normans around the 12th century, concentrates on the Wounded King archetype – one which is immensely valuable for deep inner healing at the shamanic level. But I go back much further into the Celtic roots of these stories and so I will be describing, in a series of articles here, how to work magically with the Wounded Queen archetype because it is through Sovereignty rites that a Queen of the inner planes makes a wounded man into a King of Earth.
The doorways to the Enchanted Land of the Magical Queens is plain to see in my books and the keys to their locks are all there too for those who can recognise them. However, through lack of a proper education many today cannot recognise the keys or know what to do with them. So these articles will help you find them, and also teach you how to work magically with them yourself. This will enable you to develop your own connection to the spirit of Sovereignty of this land, which, in turn, will empower and enlighten you to realise your own inner Queen. Continue reading
I hope you like the beautiful wrought gilded chalice gracing the cover of my new book The Grail Mysteries as much as I do. It was commissioned by Abbot Suger of St Denis, France, in the twelfth century, while its sardonyx cup was made in Alexandria in the second century BCE.
Those who know about sacred sex magic will instantly recognise why Abbot Suger’s chalice makes a most appropriate cover for a mythic tale which explores that subject in depth. This chalice is symbolic of the Marriage of the Sun and the Moon, the alchemical operation that is at the heart of the ancient mysteries of the Grail which is about the shamanic form of sex that has always underpinned Sovereignty. Continue reading
I sometimes feel like a story archaeologist. I have a mental image of myself, digging and digging and digging underneath all the rotting story mats of the wandering troubadors and tale-tellers of old. Some of those story mats are quite ragged by now; others have gone decidedly mouldy.
However, the deeper I dig, the closer to the original story I get. And then, if I’m lucky, I can find the shamanic themes that ran through what we now call ‘myths’ which show the wisdom of our earliest ancestors – a wisdom that is sadly lacking in much of today’s literary offerings. I then weave these myths into my own stories in a way that I think better reflects their true, multi-dimensional nature.
Most of the ancient myths that have survived and are available to us today were translated either by Christian monks or by PhD students and, as far as I know, none of them were translated by shamans, like me, and that’s why I keep on digging – and sometimes, I hit gold.
“HERE she comes,” muttered Cerridwen, through glinting black diamond teeth, as the dark silhouette of a woman came suddenly into view against the pinkening skies on the horizon, running across the top of an undulating field before vanishing again into the dew-laden deeps of the darkening gloaming.
Cerridwen’s wizened snake’s eyes had been scouring the horizon for hours, while she stirred her cauldron with a long silvery ash stick that was almost as gnarled and twisted as herself.
With one black eye firmly fixed on the ever-duskening fields in the distance as the setting sun began to cast its long creeping shadows, she watched from the corner of the other as the Scorpion goddess constellation slowly rose, glittering like an ice crystal palace against the lapis lazuli celestial vault. Continue reading
We’ve been on such a wild helter skelter ride, lately – a virtual Apocalypse of political revelations – that it’s easy to get mesmerised watching the marionettes on the world stage as they try to cling on to power while the hurricane of the spirit of Sovereignty challenges their citadels.
That said, I want to tell you about my new book, The Bright World of the Gods, which is based on the stories of our own indigenous culture. That’s because, in my experience, geo-political events don’t just happen randomly in a vacuum. When they are an organic ‘populist’ expression, they are the end result of an impetus that springs forth from the hearts and minds of the people and that has its source in spirituality first, and then culture.
The Bright World of the Gods was gifted into my Dreamtime by the spirits of the land that inhabit the other dimensions that are found, shamanically, through the mists of Avalon, in Somerset, England. These spirits are known locally as the Gentle Folk, or the Fae, although you might know them better as faeries.
So this is a real faery story for enlightened adults that comes from a benevolent Elder race whose role it is to guide the steps of humanity. As such, it is perfect for curling up with by the fire when the white frost of the Sugar Plum Faery is crackling the grass underfoot, or to inspire dreaming on balmier days, under a gnarled old apple tree in an enchanted wood.
In this romantic magical mystery tour around the Glastonbury enchanted landscape, you will follow Bridie and Gwyn ap Nudd as they meet the challenges necessary for alchemical inner growth that leads to full spiritual realisation, along with other archetypal characters that have stepped out of Celtic myths such as Manawydan, Gwyddion, Creiddylad, Taliesen, Elen and Morgan the Fae.
You may just want to enjoy this epic tale on a superficial level as a beautiful love story that is full of intriguing escapades and interesting ideas – which is fine. But those looking for keys to unlock faery doorways into deeper cosmological teachings will also find them here along with the instructions on how to unlock them.
Either way, just relax and wander through the wonderous hills and dales of The Bright World of the Gods, and let it permeate into your own Dreamtime so that it can do its magic there and give you insights into your own destiny, and the meaning of your life.