It is not the purpose of human life to overturn governments. It is the purpose of human life to engage with our lessons that come from our ancestral spirits, to learn how to reincarnate into our own lives. In that way, we can blaze a trail in carving out a sacred space in our own lands so that the children and grandchildren of our ancestral lines will be born into a peaceful and protected existence under the rule of law, which will give them the optimal opportunities for spiritual growth when they incarnate. We have to prepare the way for them. We have to to sweep the hearth, to keep it clean.
I can’t help noticing some amazing synchronicities with modern political times as I write about the Elizabethan alchemist John Dee and his purported discovery of the recipe for the Philosopher’s Stone in Glastonbury, for my new book, “Stories in the Land.”
John Dee spent more than three years, during the late 16th century, being feted by the minor princes of Europe just as the continent was beginning to bubble up into the Thirty Years War. It was a patchwork quilt then of tiny principalities that were just starting to wriggle out from under the iron grip of the Holy Roman Empire after Martin Luther had nailed his notice to the church door in Wittenberg which called out the corruption of the indulgence-taking popes and priests.
That odious oik Alastair Campbell was on Nigel Farage’s LBC show on Sunday, sporting a t-shirt emblazoned with the word “Reality” and haranguing Leave voters that they’re just fantasists who believe in unicorns.
“Unicorn” seems to be their latest buzzword – replacing the word “Nazi” now that it’s becoming clear who the masters of the Fourth Reich really are. Speaking of Nazis, Peter Mandelson used it again on Radio 4, this morning, fighting to save his EU pension. He was explaining that we didn’t know what we voted for because we are not in touch with reality. This from a man who had to resign from high office in this country TWICE for financial corruption.
Campbell and Mandelson need to go back to their propaganda scriptwriters who obviously don’t realise the importance of the unicorn to our sense of Sovereignty. In Somerset, the spiritual heartland of Britain (or the “land of the nobles”, as King Alfred the Great’s Druidic scribe described it, under the four royal stars of Aldebaran, Antares, Regulus and Fomulhaut) just about every church bears a royal coat of arms featuring the lion and the unicorn.
The People are Sovereign. They are intrinsically Sovereign through their connection, in their Rivers of Blood or DNA, to the Ancestors in the Otherworlds. The portals between these Worlds are opened and closed by the gatekeepers, the Fae, in cooperation with shamans that are entrusted with this sacred work on the Land.
The People, in turn, elect representatives to take their views to the Parliament (Parle-ment, Anglo-Saxon for a representative assembly of speakers) and this – and ONLY THIS – is what makes our Parliament Sovereign. Other countries have copied this method of governance because, until now, it has been successful as when it is truly representative, it has the blessings of the Otherworlds. and this is why Westminster is known as the Mother of all Parliaments. Continue reading
We are all familiar now with the famous Tunnel from those who come back from the Realms of the Dead and recount their near death experiences. But another common factor in these accounts, and yet one that is little reported, is the overwhelmingly ecstatic feeling of love that surrounds them during their brief sojourn to the Other Side. And far from them coming under the harsh judgement of a Jehovah-type God who sternly weighs their “sins” in the balance, there is only a gentle self-assessment, which is often kindly supported by their ancestral spirits, that informs their view about whether or not it would be the wisest course to return into an often broken, and thus painful, human form, because their “appointments” on that rung of The Ladder of the Wise had not yet been met.
Many who return to This Side find that their new realisations cause their life to change, and they take up new interests – and sometimes new trainings and new professions – in order to better align themselves with their life’s purpose. This is all to the good. However, it is a little-known fact that one can reach the Other Side without going through the death experience, and it is by following a technique I call the Ecstasy of the Heart.
The magic of the Sovereignty of the Land has long been hidden from us by many means, screens and schemes, and one way of preventing us from dis-covering it has been to change the meaning of words. For instance, let us consider the word ‘history’. ‘History’ actually comes from the 12th century Norman ‘histoire’, which in that language meant ‘story’. Thus, when discussing ancient ‘histoires’ we are dealing with a story that may or may not be true. However, it doesn’t matter for our magical purposes because, as I always say, the only difference between mythology and history is that myths are true, by which I mean that “history” is usually written by the victors who are bound to put a spin on their recorded events, but “mythology” contains deep and eternal truths that always remain true.
And so by engaging with what we believe to be history is, in effect, entering cognitively into the fabric that made up the consensual reality of our ancestors, and no matter how much the transcribers and translaters have, over time, taken that fabric, and cut and tailored it into different suits, jackets and dresses, the mythological truth still remains evident, in the weave, to those who have the eyes to see it. Continue reading
Once we understand the codes in the great masterpieces preserved in the churches, abbeys and cathedrals, then it becomes clear that these symbols are a series of still-life tableaus forming a narrative about the alchemical process of the transformation of metals, with ourselves as the crude lead.
Each metal is assigned a god or goddess to encapsulate their qualities, and we can see these characteristics writ large in the classical Greek dramas featuring the gods and goddesses of Mount Olympus.