When people criticise President Trump over wanting to build a wall on the southern border of the United States, and the Democrats insist that it’s immoral not to have open borders, they may not realise that they are mouthpieces for an evil Death Cult that, for all its insistence on environmentalism to prevent climate change, is flying in the face of Nature and how She builds life.
If Mother Nature believed in open borders, there would be no Universe. She uses the Vesica Piscis to organise Her Work; some call it “the womb of life” because from all the walls and borders that are produced from it, the shapes of the creation are built to produce the Flower of Life and the Fruit of Life, that flow between the realms of spirit and the realms of materiality. Its mathematical dimensions make it transcendent in nature because its shape spirals out into infinity in ever-increasing circles, and it also spirals in, into infinity, in ever-decreasing circles.
That’s why sacred buildings from time immemorial, such as Glastonbury Abbey, have strong parameters of stone-and-mortar that were constructed according to the designs of those who understood those laws, and they also engineered a huge wall around this temple and its precincts, made of local Blue Lias stone, to protect “the holiest earthe in England.”
The most obvious example of the Vesica Piscis in the natural world is seen in the mitosis of cells, when they divide. From there, it is possible to find the square root of 5, which leads us to the Golden Proportion or phi. This proportion is visible in many growing plants and fruits and even sea shells.
Where the two circles of the Vesica Piscis intersect is known as the mandorla (the almond shape in the centre) and it represents the womb where the Seed of Life is birthed into the duality and then eventually evolves into the trinity – it is the seed bed of all trigonometry.
To quote Nicholas Mann in Energy Secrets of Glastonbury Tor.
“The Vesica Piscis provides a simple way of arriving at the basic patterns and measures of sacred geometry, especially the fundamental ratio of the Golden Section….. These are the ratios, proportions and harmonies found in Nature, in the form of plants, animals, crystals and the human body. They are also present in music and mathematics, and so form the underlying structures of creation.
“The Vesica Piscis is a powerful symbol of the creation and growth of forms in the natural world… It is possible to imagine the progression created by the Vesica Piscis endlessly unfolding the inner dimensions of the Otherworld as it endlessly unfolds in the external world. The symbol is the expression of the ideal proportions of the archetypal inner world passing into visible manifestation, and the tangible proportions of the outer world returning into the world of the external.”
Stonehenge was also erected according to this life-giving blueprint, and St John the Divine recorded these identical dimensions in the Book of Revelations, which came to him in a vision (or shamanic trance) on the Greek island of Patmos.
An angel shows St John a 12-gated city “the holy Jerusalem descending out of the heaven” (Rev. 21:10) and this angel “carried a golden reed to measure the city, and the gates thereof, and the wall thereof. And the city lieth foursquare, and the length is as large as the breadth; and he measured the city with the red, 12,000 furlongs. The length and the breadth and the height of it are equal. And he measured the wall thereof, and it was 144 cubits, according to the measure of man, that is, of the angel. (Rev: 21: 15, 16, 17).
These same numbers can also be found hidden in William of Malmesbury’s “history” of Glastonbury Abbey in Somerset, England: De Antiquitate Glastoniensis Eclessiae (1135 C.E.).
Malmesbury maybe didn’t realise that the earlier monks had had to disguise these esoteric teachings in code, or perhaps he did know and was just passing on the Mystery teachings whole. But he wrote of the documentary evidence he’d found in the old library that the earliest monks or ascetics coming to Glastonbury had been granted 12 hides of land.
As Anthony Roberts writes in Glastonbury: Ancient Avalon, New Jerusalem:
“In Somerset, a hide of land measures 120 acres. The ancient 12 hides of Glastonbury would have totalled 1440 acres and if this area is reckoned as a square, its sides would have been 12 furlongs in length … the perfect proportional microcosm to its heavenly counterpart.”
Malmesbury also wrote that the Old Church at Glastonbury had strange geometric shapes engraved into its limestone walls. He didn’t know what they meant. But we need no longer wonder about this mystery when we understand that the Vesica Piscis is capable of producing triangles, squares, pentagons, hexagons, octagons and so on, right up to the 64 Tetrahedron Grid.
Everything that exists in Nature is birthed from the womb of the Vesica Piscis which is created by two circles of equal size intersecting to create a third shape. It is the whole root of sacred geometry which is the study of the eternal laws that govern the omnipresent, omniscient and omnipotent principles of all life.
William of Malmesbury also recorded his discovery of ancient documents in the library which stated that the Old Church of the Abbey had been …
“… prepared by God himself” … and that “God’s Son distinguished it with greater dignity by dedicating it in honour of the Mother …” Mother Nature Herself.
So this article shows that there are more natural “walls” in the landscape than we could throw a stick at, even though we can’t see them with the naked eye. In working shamanically, we have the eyes to see how Nature operates to birth and protect her Creation and we can follow Her example in protecting our own communities.
Take a single cell for example. It has a semi-permeable wall around it so that it can welcome in the life-giving nutrients and keep out the toxins. A wall is needed on the southern border of the United States so that the people can be welcomed in at at its ports who are of the best quality and the drug and child traffickers – aka, the toxins – are kept out. Presently, this is not the case and drug and child traffickers are pouring through.
ABOUT THE AUTHOR
Annie Dieu-Le-Veut is a shaman and story archaeologist who digs up the originals of the ancient epic tales that were drawn in the glittering night skies of the last Ice Age. She brushes them off and then breaks down their meanings in the simplest of terms, so that we can unlock the doors of our perception with their metaphorical keys.
Once we understand the substance of the messages our ancestors left for us thousands of years ago, we can realise the value and meaning of human life and finally know what to do with it. Her books are available on Amazon and other good online bookstores.
How to read my books
By Annie Dieu-Le-Veut
If you’re thinking of getting one or more of my books, can I give you a bit of a steer? There are two ways to receive my teachings, and each augments the other.
If you wish to go down the fictional route, and become inspired in your dreams and imagination by the coded magical keys, symbols and metaphors hidden in mytho-poetic romantic adventures, I suggest that you read The Bright World of the Gods first, and then The Grail Mysteries. They are actually the first two books of a trilogy, although they work as standalones too. I haven’t written the third yet.
However, if you feel you need some help with unravelling the meanings of the symbols and metaphors found in ancient myths, my theoretical works are straightforward accounts that explain it all in plain language.
Reclaiming Sovereignty is largely about the historical and mythological evidence, going back thousands of years, for the practice of shamanic sex magic, which brought wisdom and enlightenment to the newly-crowned king on the night of his coronation. There is also a step-by-step guide for practising it yourself.
What you learn from Reclaiming Sovereignty will then stand you in good stead for when you get to the fire initiations in Stories in the Stars. Also, the upcoming book, Stories in the Land, will go into how Celtic myths based on shamanic sex magic are found in the landscape of Avalon.
NB. I should add, the predominance of sex magic in ancient myths was not because our ancestors were sex mad – and neither am I. These sagas, by the shamanic grandmothers and midwives, were about the serpents’ firing of wisdom, enlightenment and transfiguration that supports fertility and the creation of new worlds at the turning of the ages with the birth of the Radiant Child which, these days, we think just happens automatically. It doesn’t.