As explained in The Faery wisdom about race, Lucifer and the rivers of blood, Lucifer is not a devil, demon or even a male spirit. The word ‘lucifer’ or lightbringer in the Bible refers to the star of the morning, or Venus. This may come as a surprise to those who think that Lucifer is male, but more than that… as I set out to show here, she is represented as the Double Goddess throughout history, who is still in the sky at dawn, as the morning star, and is the first to rise at dusk as the evening star.
So I hope you’re settled down a nice hot steaming mug of chocolate, because we have a long journey to take…. through sacred iconography in cave art and mythological stories which begin way back in the mists of time.
The prehistoric Double Goddess
In prehistoric times, we find the Double Goddess in the form of a double-headed figurine ~ one body sharing two heads. Sometimes, the heads are next to one another or, at other times, can be placed at opposite ends of the torso. We can trace her in that form as back as far as the Upper Palaeolithic (about 25,000 years ago), and then on into the Neolithic period where the Double Goddess is found at Catal Hoyuk and Gozo, the tiny island off Malta.
The Neolithic Double Goddess
We then find this archetype of the Double Goddess as we travel through the myths of the gods and goddesses of the Neolithic, but by now she is hiding a little behind the veil. However, if you peer very carefully, you can see her in the Egyptian, Greek and Indian myths, the Minoan double-headed axe, the Caduceus, the Kabbalah and Gnostic Christianity until she became so engrained in our psyches that we now automatically respond from our subconscious to the image of the Double Goddess in an almost Pavlonian way.
Even Christianity, not to be left out, had its own Double Goddess and very helpfully, gave them both the same name, so that there should be no mistaking the allusion.
Mary the Virgin and Mary Magdalene
Artwork and copyright: Krishna Rose
And today, the Double Goddess pops up yet again in one of the most popular ballets of all time, Swan Lake, with Odette and Odile as the white swan and the black swan.
What did the Double Goddess represent?
So there we have it ~ all these Double Goddesses coming down through time right up to the present day, but ever the utilitarian mind wants to know: “What were they for?” … and this is where good old Occam’s Razor lets us down completely. Occam’s Razor can only be wielded successfully by a total and utter polymath, a Renaissance man if you like. But we don’t have many of those around today and so we have been viewing these Double Goddess figures through a glass darkly.
Historical researchers into what they believe were matriarchal cultures during the Paleolithic era, such as Marija Gimbutas and Vicky Noble, see the Double Goddess as representing both halves of the moon ~ the waxing and the waning, the dark and the light, the menstruation and the ovulation. I think it’s a not unreasonable theory but I think there’s more to it than that and I will lay out my own stall shortly.
Here’s Vicky Noble on the subject of her book, The Double Goddess: Women Sharing Power, and I can’t help squirming a little … but maybe that’s just me.
Ancient Goddess religion was informed by the organic cycles of nature-the dual poles of Life and Death. The Double Goddess represents phenomena such as the Earth-Moon pair, the Upper-Underworld pair, the Summer and Winter poles of the seasonal year, and the dual poles of the female biological reality of menstruation and ovulation-the dark and the light. The Double Goddess in all her varied forms also depicts the vast array of potential relationships women can form with themselves and each other. This book is a celebration of an archetype that not only empowers women, but also teaches them how to share that power with each other.
Oh Gawd! Quite a good cover picture, though.
Vicky Noble has also picked up on the Double Goddess interpretations of researchers who study them in the Neolithic period, when man was gradually settling down to a more agricultural way of life. They think the Double Goddess of that time was meant as some sort of symbol representing summer/winter, dark/light. Thus Persephone’s abduction to the Underworld by Hades is thought, by them, to be a tale about the fertility of the land and the harvests, and that when Hades allows Persephone to return to the surface again each year, the crops will blossom again and the bull will mount the cow again etc.
Because this sort of seasonal cycles metaphor is used in this Greek Underworld myth, and also in the Babylonian Descent of Ishtar, I suppose one can’t blame some people for assuming that the metaphor of the barrenness of the land by these agricultural peoples is literal rather than representing a much deeper and deadly kind of barrenness.
In truth, I’ve always found those practical kinds of explanations somewhat unsatisfactory. I fail to see why the people of the Neolithic would need to be told stories about the cycling of the seasons when any ten-year-old would have already been aware of them. Our post-hoc reasoning from a culture obsessed with what we consume makes no allowance for the fact that to the ancients, the spiritual came well above the material in their To-Do lists.
Even as recently as about 4,000 years ago, we can find evidence of this way of thinking in the Indian Vedic caste system, where the Brahmin caste was higher than the ksatriya caste from which the king came. I also remember seeing some research about the Ainu a while back, which found that every single thing they did in their lives had a ritual attached to it because, to the Ainu, everything was sacred, right down to how they disposed of their fish bones.
Similarly, I’d be amazed if our earliest ancestral Eve needed dolls to teach her about menstruation cycles or the cycles of the moon. Natural processes were all ABC to the ancients. They’re only mysteries to us because we have cut ourselves off from the wild forests and the night skies. I appreciate that creativity and fertility were considered to be sacred, and were part of our ancestors’ reverence for Mother Earth, and therefore celebrated…. possibly … but there must have been more to the Double Goddesses than just an almanac and a lunar calendar.
My own view is that the Double Goddesses were part of a process of spiritual initiation. I base this opinion on the fact that the Double Goddess was very patently the main character within spiritual initiation myths and practises going back to the Mysteries of about 3,000 years ago which were held yearly across Mesopotamia, Egypt and the Mediterranean countries.
In the Eleusian Mysteries, the Double Goddess took the form of Demeter and Persephone. Later on, in the Gnostic Mysteries, it was in the form of Sophia.
This is from Jesus and the Goddess: The Secret Teachings of the Original Christians by Timothy Freke and Peter Gandy, with my bolding.
The Myth of Sophia
Christ represents consciousness. His lover/sister the Goddess represents the psyche. Christ represents the circle of the self. The Goddess represents the radius. The radius is a line with two ends. One is rooted in the centre of Consciousness and the other lies on the circumference, representing the body in the world. The Goddess is therefore thought of as having two aspects, sometimes known as the higher or incorruptible Sophia and sometimes lower or mortal Sophia. The first Sophia represents psyche in a state of Gnosis, united with Consciousness at the centre of the circle of Self. The second represents the psyche fallen into identification with the body on the circumference [of the circle].
As in the Pagan Gnostic tradition, the Christian Gnostic Goddess is known by many names. Most commonly, she is called ‘wisdom’ …However, she is also known as Psyche, Zoe meaning ‘life’ and Achamoth, from the Hebrew for wisdom, and other names that we no longer understand, such as Barbelo.
The higher Sophia falls from being at One with the Father in the Heavens into the depths below and becomes the lower Sophia who, through forgetting her true identity, becomes trapped in material creation. (You can read this Gnostic myth in Pistis Sophia). This is the great Fall that we’ve all been made to feel so bad about, which St Augustine (354-430 CE) decided was the Original Sin, and which he said we’ve all been born into, and have to spend our lives trying to atone for.
However, no blame or sin is associated with this Fall because it was necessary. Sophia wanted to know what it felt like to be in material creation. As we so often say now, we’re not human beings walking a spiritual path but spiritual beings walking a human path. This would definitely have been Sophia’s motto, if she had been a real person. After tasting the fruits of the Garden of Eden, her path and only purpose in this life is to realise her Oneness again. This is the path of the initiate.
The Double Goddess as Lucifer
The fallen Sophia is also associated with Venus, “bright star of the morning” ~ and finally, we’re getting to the bit about Lucifer.
However, to nail one urban myth, Lucifer is never depicted in the Bible as Satan. Where Lucifer is associated with Satan is in John Milton’s famous poem, Paradise Lost.
As a result, this painting by Gustav Dore of Lucifer as Satan in Paradise Lost is how we’ve been conditioned to view the fallen angel.
If you have an Authorised King James version of the Bible, you’ll find Lucifer in Isaiah. Later translations have removed it.
“How art thou fallen from heaven, O Lucifer, son of the morning! How art thou cut down to the ground, which didst weaken the nations!” Isaiah 14:12
In fact, the word ‘Lucifer’ is a Latin word and was not, therefore, in the original Greek manuscripts. It comes from the words ‘lux’ (light/fire) and ‘ferre’ (to bear/to bring) and when put together means ‘bearer of light’ or ‘bringer of fire’. Lucifer is also one the Latin names for the morning and evening star, Venus. So is the Greek word Eosphorus or Phosphorous.
“At length as the Morning Star (Eosphorus) was beginning to herald the light which saffron-mantled Dawn was soon to suffuse over the sea, the flames fell and the fire began to die.”
Homer, The Iliad, Book 23
“And after these Erigenia bare the star Eosphorus, and the gleaming stars with which heaven is crowned.”
In the 4th century CE, St Jerome translated the Bible from Greek to Latin into what’s known as the Vulgate version. By then, most of the Gnostics had been routed out, killed or suppressed, and the Mystery Groves completely trashed and destroyed. So when Jerome replaced the “shining star of the dawn” with the Latin name for the planet, the meaning became lost. If we were to do the same with our modern day translations, we would put something like: “How you have fallen from heaven, O Venus, star of the morning.”
The Kabbalah also tells the tale of a goddess falling into incarnation before journeying upwards again, to regain her true self and state of Oneness with the True Bridegroom. The dispossessed heroine is also found in the tales of Cinderella and Snow White and the Seven Dwarves.
So with the Fall of the Double Goddess being the common root allegory for the human condition across a vast and multitudinous range of sacred myths and spiritual systems over thousands of years, it seems quite likely that this is the true meaning and purpose of the Double Goddess of the Palaeolithic and Neolithic ages too.
Plus … out of all that Fall mythology and iconography which runs so deep in the DNA songlines throughout the aeons, I don’t know of a single example of where 1) the Fallen is a man and 2) where Venus is a man. Therefore, it is my contention that Lucifer is a woman.
ABOUT THE AUTHOR
Annie Dieu-Le-Veut is a shaman and story archaeologist who digs up the originals of the ancient epic tales that were drawn in the glittering night skies of the last Ice Age. She brushes them off and then breaks down their meanings in the simplest of terms, so that we can unlock the doors of our perception with their metaphorical keys.
Once we understand the substance of the messages our ancestors left for us thousands of years ago, we can realise the value and meaning of human life and finally know what to do with it. Her books are available on Amazon and other good online bookstores.
How to read my books
By Annie Dieu-Le-Veut
If you’re thinking of getting one or more of my books, can I give you a bit of a steer? There are two ways to receive my teachings, and each augments the other.
If you wish to go down the fictional route, and become inspired in your dreams and imagination by the coded magical keys, symbols and metaphors hidden in mytho-poetic romantic adventures, I suggest that you read The Bright World of the Gods first, and then The Grail Mysteries. They are actually the first two books of a trilogy, although they work very well as stand-alones too. I haven’t written the third in the series yet.
However, if you feel you need some help with unravelling the meanings of the symbols and metaphors found in ancient myths, my non-fiction more theoretical works are straightforward accounts that explain it all in plain language.
Reclaiming Sovereignty is largely about the historical and mythological evidence, going back thousands of years, for the practice of shamanic sex magic, which brought wisdom and enlightenment to the newly-crowned king on the night of his coronation. There is also a step-by-step guide for practising it yourself.
What you learn from Reclaiming Sovereignty will then stand you in good stead for when you get to the fire initiations in Stories in the Stars. Also, the upcoming book, Stories in the Land, will go into how Celtic myths based on shamanic sex magic are found in the landscape of Avalon.
I should add, the predominance of sex magic in ancient myths was not because our ancestors were sex mad – and neither am I. These sagas, by the shamanic grandmothers and midwives, were about the serpents’ firing of wisdom, enlightenment and transfiguration that supports fertility and the creation of new worlds at the turning of the ages with the birth of the Radiant Child which, these days, we think just happens automatically. It doesn’t.